SUMMER/FALL |
2001 |
 |
Page Three |
NORDOST: First seen/heard at the 2001 CES
show in Las Vegas, the Valhalla speaker cables and
interconnects were certainly the talk of the affair. All
it took was a (very) brief comparison to the excellent SPM
Reference to know that the Valhalla
was a very special product. I took a deep breath and ordered
a pair of each to try. Oh, what a mistake!
Yes, my friends, I’m here to tell you, never ever
want to listen to these cables! Choose to ignore my warning
and you’ll find yourself selling your soul to Beelzebub
himself to have these things!
Bottom line, the Valhalla cables are superb. I
am astonished at the clarity, detail and resolution. It’s
whole new world, a quantum leap, and a paradigm shift in
what we thought cables could offer. Of course, choosing
the right cable for a system has everything to do
with personal preference, so there can never be one "best"
cable, but the Valhalla should be on everyone's short
list.
Now for the bad news; a 1M pair of Valhalla interconnects
runs $3300.00, and a 2M pair of the speaker cables will
set you back $6100.00. A might painful, but, oh, it hurts
so good!
VERITY
AUDIO: Another sweet design has been
added to the exquisite family of speakers from Verity Audio.
The svelte Tamino is a small 2.5-way floor stander,
4” shorter than its closest sibling, Fidelio. Tonal balance
is on the warm side, with a rear-firing woofer providing
tuneful and articulate bass to 40Hz. That character, coupled
with a gentle impedance curve and reasonably high sensitivity,
make Tamino a willing companion in a wide range of
systems. $4995.00, smartly dressed in black piano.
FIRST IMPRESSION MUSIC: The cable products
from FIM have created quite a buzz among the audiophile
community. Some have called the FIM cables the best
available. That may a hard claim to support, as cable choice
is so subjective, but it would certainly be correct to say
that they belong to an elite group of cables occupying the
very uppermost rung.
The line is divided into two levels, Silver and
Gold. The Gold Series includes an interconnect,
digital cable, speaker cable and ac power cord. The Silver
Series offers a speaker cable and power cord.
Though my time with the products has been limited thus
far to the Silver Series, I can say that I am truly impressed.
The power cables, in particular, are superb. From the moment
I placed the Silver AC Cord into the system, I knew
this was a very special AC cord. How to describe it? That
is a bit of a challenge because its character, at least
in some measure, defies description. What I hear is a wonderful
sense of cohesion; things are more connected, an organic
quality. I know, the terms are a bit vague, but like I said,
it is hard to describe this cable! It is certainly cliché
to suggest things sounded more real, but that was the case.
Simply put, the cable brought realism through musical organization
and structure.
Yes, of course the FIM was splendid at recreating a wonderfully
dimensional soundstage, but that is almost expected from
better cables today. Even so, the cables gave players a
more palpable place on the stage, and made relationships
between performers more real.
I have but one complaint; the dang things are stiff!
If you can work around this issue in your system, I highly
recommend you try these cables. Silver AC cord, 6’, $910.00.
More information on the Silver Series speaker cables and
observations on the Gold products will follow in these pages
soon.
ACOUSTIC ZEN: Developed by noted designer,
Robert Lee (responsible for the Harmonic Technology cables,
and others), the new line of Acoustic Zen cables
has become an overnight success.
Though they’ve been with us for only a few months, they
have gained enthusiastic reviews, impressing all who’ve
had the chance to listen. I heartily agree, and have
begun using the Acoustic Zen cables in several of
the demo systems here, with excellent results.
At the recent Stereophile show, the Acoustic Zen/Soliloquy/Art
Audio room was voted best sound at the show by Bill Gaw
at Enjoy The Music. You can read Bill’s review of Acoustic
Zen cables at their Website: http://www.enjoythemusic.com/hifi2001/billgaw/
MAGNUM-DYNALAB:
The Etude tuner has been a benchmark tuner in its class
for over a decade. After a long tenure, the Etude has been
retired. In its place, the new MD-100, which picks
up right where the Etude left off, and will surely continue
the tradition of superlative FM performance we’ve come to
expect from MD.

Magnum-Dynalab’s twenty years of FM design experience
have been brought to bear in making the MD-100 a
stellar performer. Inside you’ll find a sophisticated three-stage
RF front end and carefully designed analog output stage.
Internal IF components are hand-matched to guarantee optimum
performance.
The MD-100 will surely further the stellar reputation
of its predecessor and will likely set a new standard at
the price point. The MD-100 is offered at $1600.00,
with an optional FTR remote control system available.
BITS
AUDIO AERO: Heard about the new Audio
Aero Prima CD player? The recent offering has met
with favorable reviews from both press and consumers, so
I thought it time to test drive one.
Inside the very interesting Prima is a tube-based analog
section employing two 620N sub-miniature tubes. In the digital
section you’ll find four times over sampled 24 bit/192kHz
Burr-Brown PCM1739 DAC’s. The well respected Phillips CDM-12
drive (which can read CD-R and unfinalized CD-RW’s) has
been chosen for its mechanical stability and low jitter.
Another feature unique to the Prima is the STARS®
(Solution for Time Abstract Re-Sampling) system. STARS®
is a combination of very high speed re-sampling, interpolation
and signal enhancement techniques developed for Audio Aero
by the Swiss firm Anagram Technologies, SA. OK, sounds impressive
on paper, but how does it sound?
The Prima serves up a wonderfully dimensional presentation,
rivaling any player I’ve heard in the price range for sound
staging ability. Its tonal balance is on the slightly warm
side, with good resolution of fine detail and bass better
than you’d expect from a tube CD player. Though we’ve not
had a chance to get the machine into a variety or systems,
the early returns are indeed encouraging. At $1750.00, I
think we have to say it's an extremely competitive CD player.
XRCD:
If you've never had the pleasure of listening to music
recorded on an XRCD, you are missing a real treat.
XRCD (which stands for eXtended Resolution
CD) is not a new format or encoding process. Rather,
it is simply careful attention to detail in the mastering
and manufacturing process. These techniques (developed by
JVC) involve reducing the complexity of the mastering signal
chain and insuring that each component is of the highest
quality. All of this is done within the current CD standard,
so no special equipment is required, an XRCD will
play on any CD player.
The catalog consists primarily of classic re-issues of
Jazz and Classical. The August issue of Down Beat
magazine talks about XRCD: “The importance of
the JVC XRCD series is twofold. First, the
choices of material reflect a deep sense of lasting musical
value. Second, the sound quality of each CD is a breakthrough,
JVC engineers Akira Taguchi and Alan Yoshida lavish TLC
and technology on every element of the mastering and manufacturing
processes, with one goal; to bring us the sound of each
recording’s original master tape. In the same issue
appears a review of Art Pepper + Eleven by Art Pepper.
“Definitive validation of the superiority of JVC’s digital
transfers can be obtained by comparing the Mobile Fidelity
Sound Lab reissue of this album to the XRCD version.
The now defunct Mobile Fidelity was once a highly regarded
audiophile label that also worked from the original master
tapes. The XRCD blows the Mobile Fidelity away, with
much deeper detail in the ensembles and cleaner, more dynamic
edges to Pepper’s alto and tenor.”
While we are not stocking the XRCD’s here, we have
enrolled in their affiliate member program so you can easily
purchase any of the wonderful XRCD titles at their
Website. Just click on the icon below.
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